{"id":1450,"date":"2015-06-01T06:13:18","date_gmt":"2015-06-01T12:13:18","guid":{"rendered":"http:\/\/www.satirnet.com\/satirnet\/?p=1450"},"modified":"2019-01-27T10:55:58","modified_gmt":"2019-01-27T16:55:58","slug":"ruido-conceptos-basicos-2","status":"publish","type":"post","link":"https:\/\/www.satirnet.com\/satirnet\/2015\/06\/01\/ruido-conceptos-basicos-2\/","title":{"rendered":"RUIDO-CONCEPTOS B\u00c1SICOS 2"},"content":{"rendered":"<p>PRESI\u00d3N AC\u00daSTICA<br \/>\nCuando una onda sonora se propaga en un medio el\u00e1stico como el aire, se crea una\u00a0variaci\u00f3n de presi\u00f3n sobre la presi\u00f3n atmosf\u00e9rica que es la presi\u00f3n ac\u00fastica.\u00a0Esta variaci\u00f3n de presi\u00f3n sirve para caracterizar la onda sonora, pero su valor\u00a0instant\u00e1neo var\u00eda continuamente con el tiempo. Al conocerse que los efectos\u00a0producidos por el ruido dependen de su energ\u00eda, se utiliza el valor eficaz (rmS), que es\u00a0proporcional a la energ\u00eda de la onda, y es el resultado de la integraci\u00f3n de los diferentes\u00a0niveles de presi\u00f3n instant\u00e1neos en un determinado tiempo.<\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/PRESION-EFICAZ.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1451\" src=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/PRESION-EFICAZ.gif\" alt=\"PRESION EFICAZ\" width=\"425\" height=\"310\" \/><\/a><\/p>\n<p>VALOR DE PICO<br \/>\nEs el valor m\u00e1ximo de la presi\u00f3n ac\u00fastica instant\u00e1nea y sirve para evaluar la exposici\u00f3n \u00a0cuando hay ruidos de impulso<\/p>\n<p><a href=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/PRESION-EFICAZ1.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1452\" src=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/PRESION-EFICAZ1.gif\" alt=\"PRESION EFICAZ\" width=\"438\" height=\"319\" \/><\/a><br \/>\nSENSACI\u00d3N SONORA<br \/>\nEl o\u00eddo humano es capaz de detectar variaciones de presi\u00f3n ac\u00fastica comprendidas<br \/>\nentre 20 uPa y 200.000.000 pPa y de frecuencia entre 20 y 20.000 Hz<\/p>\n<p><a href=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/sonora.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1454\" src=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/sonora.gif\" alt=\"sonora\" width=\"375\" height=\"256\" \/><\/a><\/p>\n<p>Si la cuantificaci\u00f3n de la presi\u00f3n ac\u00fastica se hiciera en uPa, deber\u00edamos utilizar una\u00a0escala de 20.000.000 de unidades, lo que supone muy poca operatividad.<br \/>\nMediante la utilizaci\u00f3n de una f\u00f3rmula matem\u00e1tica de tipo Iogar\u00edtmico, se convierte esta\u00a0escala en otra llamada nivel de presi\u00f3n ac\u00fastica, que se mide en decibelios, dB.<br \/>\nEl decibelio se define mediante la expresi\u00f3n: dB = 10 log (P\/Polz, siendo P el valor de la\u00a0presi\u00f3n ac\u00fastica en Pa, y Po la presi\u00f3n de referencia (20 uPa).<br \/>\nComo vemos, no es un valor absoluto sino que se relaciona siempre con un valor de\u00a0referencia, 20 uPa, al que se le hace corresponder el valor de O dB.<br \/>\nAs\u00ed, vemos que el rango queda reducido a una escala comprendida entre O dB (umbral\u00a0de audici\u00f3n) y 140 dB (umbral de dolor), tal y como se representa para diferentes ruidos.<\/p>\n<p><a href=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/ruido-por-parte.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1456\" src=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/ruido-por-parte.gif\" alt=\"ruido por parte\" width=\"403\" height=\"392\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Como consecuencia de la propia definici\u00f3n de dB nos encontramos que, para sumar dos \u00a00 m\u00e1s valores de nivel de presi\u00f3n ac\u00fastica en dB, no podemos utilizar la suma aritm\u00e9tica \u00a0normal.<br \/>\nEs necesario, por tanto, conocer que peque\u00f1as diferencias en la medida de un ruido \u00a0expresada en dB, representan un aumento importante de energ\u00eda de dicho ruido y, por\u00a0tanto, de su posible agresividad.<br \/>\nAs\u00ed, a modo de ejemplo, el aumento en 3 dB en el nivel de ruido implica duplicar la\u00a0energ\u00eda de la onda.<\/p>\n<p><a href=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/suma-de-decibeles.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1457\" src=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/suma-de-decibeles.gif\" alt=\"suma de decibeles\" width=\"458\" height=\"268\" \/><\/a><\/p>\n<p>Por lo tanto, adem\u00e1s de las peculiaridades del sistema auditivo de la persona que\u00a0escucha y de factores subjetivos, existen dos variables f\u00edsicas fundamentales que\u00a0modulan la sensaci\u00f3n sonora que percibimos ante un ruido: nivel de presi\u00f3n sonora y\u00a0frecuencia.<br \/>\nUna de las principales caracter\u00edsticas de nuestro o\u00eddo es que discrimina de forma no\u00a0lineal, o lo que es lo mismo, el o\u00eddo humano tiene un comportamiento desigual con el\u00a0aumento de la presi\u00f3n sonora a las distintas frecuencias, atenuando las frecuencias de\u00a020 a 1000 Hz, amplificando de 1000 a 5000 Hz y volviendo a atenuar de 5000 Hz en\u00a0adelante.<br \/>\nTal y como se observa en la figura, cada curva indica los valores del nivel de\u00a0presi\u00f3n ac\u00fastica y de frecuencia que corresponden a una misma sensaci\u00f3n sonora.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1460\" src=\"http:\/\/www.satirnet.com\/satirnet\/wp-content\/uploads\/2015\/02\/curvas-de-sensacion-sonora.gif\" alt=\"curvas de sensacion sonora\" width=\"501\" height=\"411\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>As\u00ed, vemos que tenemos la misma sensaci\u00f3n ac\u00fastica con una onda de frecuencia 1000\u00a0Hz y 40 dB de nivel de presi\u00f3n ac\u00fastica, que con otra onda de frecuencia 31,5 Hz y 77\u00a0dB de nivel de presi\u00f3n ac\u00fastica.<br \/>\nEsta caracter\u00edstica de \u00abno linealidad\u00bb del o\u00eddo humano es la que obliga a que, cuando se\u00a0vaya a medir el ruido, sea necesario un dispositivo que permita determinar los niveles de\u00a0presi\u00f3n ac\u00fastica de forma similar al modo de percibirlos de un o\u00eddo humano.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PRESI\u00d3N AC\u00daSTICA Cuando una onda sonora se propaga en un medio el\u00e1stico como el aire, se crea una\u00a0variaci\u00f3n de presi\u00f3n sobre la presi\u00f3n atmosf\u00e9rica que es la presi\u00f3n ac\u00fastica.\u00a0Esta variaci\u00f3n de presi\u00f3n sirve para caracterizar la onda sonora, pero su valor\u00a0instant\u00e1neo var\u00eda&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1458,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59],"tags":[],"class_list":["post-1450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ruido"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>RUIDO-CONCEPTOS B\u00c1SICOS 2 - SatirNet Safety<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.satirnet.com\/satirnet\/2015\/06\/01\/ruido-conceptos-basicos-2\/\" \/>\n<meta property=\"og:locale\" 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